In the mood for In The Mood For Love
In hindsight, it is not surprising that the film’s nostalgic rendition of 1962 Hong Kong left such an...
In hindsight, it is not surprising that the film’s nostalgic rendition of 1962 Hong Kong left such an...
It’s become a cliché to say that David Cronenberg’s The Fly remains one of the most heartbreaking films of...
For many millennials and Gen Z cinephiles, Mark Waters’ Freaky Friday is a cornerstone of early 2000s cinema. The third adaptation...
A dispatch from a passionate grassroots project over in Finsbury Park. ‘Diversity’ and ‘inclusion’ have become corporate buzzwords,...
Rather than a triumphant replay of the old hits, Jurassic World: Rebirth is a bit more like Malibu Stacy with a new hat....
Grief manifests in many ways, which is something Australian twin brothers Danny and Michael Philippou have explored in...
On the show this week we discuss Bring Her Back and speak to its delightful directors Danny and...
As chainsaws annihilate trees and animal chatter in the opening of Savages, Claude Barras makes clear the target of...
A good comedy must be funny; this shouldn’t be a debatable statement, and yet it would seem that as...
White Men Can’t Jump is about as graceful as pop filmmaking can be. On the surface it’s a touch...
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